Nightshift Audio · Live Console

Two decks,
one crossfade.

A working console for the Nightshift residency — beat-matched previews, cue markers pulled from the crate, and a fader that decides who is loudest.

Room bias

124.0BPM master

Sodium Lamps

Marisol Vane — Nightshift 004

Tempo: 124.0
Key: 8A
Elapsed: 02:41

Pitch +0.0%

Two-channel

NS-2 Mixer

CH A

CH B

High

Mid

Low

AcenterB

Deck A78%Deck B22%

Harbour Static

Dubb Ferrier — Low Tide EP

Tempo: 118.0
Key: 9A
Elapsed: 00:00

Pitch +0.0%

Rail 01

Cue points, session 041

Drag sideways. Each marker jumps the loaded deck and re-arms the loop.

Crate

Loaded for tonight

Live crate
Dub techno
116–126

Nightshift 041 — order is suggestion, not scripture
#	Track	Artist	BPM	Key	Deck
01	Sodium Lamps	Marisol Vane	124.0	8A	A
02	Harbour Static	Dubb Ferrier	118.0	9A	B
03	Concrete Rain	Ana Petrel	122.5	8A	A
04	Nightbus Theory	Kell & Oso	125.0	7A	B
05	Ferry Lights (Dub)	Marisol Vane	120.0	9A	A
06	Slow Wire	Tomasz Ruhl	116.0	10A	B

Booth notes

How we run the room

Nightshift is a small residency in a low-ceilinged basement with one good subwoofer and a very forgiving crowd. The console is built around three rules.

01
Never mix two bass lines. The low handoff happens on one motion of the fader, not two.
02
Pitch stays inside ±4%. Past that the drums lose their weight and the room feels it before it hears it.
03
Every cue point earns its place. If a marker hasn't been used in three sessions, it gets deleted.

Guest list

Get the next session

One email per residency: the crate, the recording, and the three mixes that actually worked.

Two decks,one crossfade.