Drift Register Vol. 04 / Vector Weather

The strokes behind this page are
computed live and bend around
every cut-out you read through.

Drift Register — Issue 04 — Winter observations

A field is only visible where you cut it away.

Eighteen thousand strokes are drifting behind this sheet. Every panel you read is a hole punched through them — the weather keeps moving in the margins.

Field running Curl noise No dependencies Take the controls Read first

02 — Reading the field

Weather, not decoration

A flow field is a lookup table of directions. Ask it where to go from any coordinate and it answers with an angle; follow that answer a few thousand times and you get a stroke. Ask a hundred thousand particles at once and you get something that behaves less like a graphic and more like a climate.

We render ours at quarter-opacity onto a persistent canvas, so each frame leaves a faint sediment behind. Nothing is erased on purpose — the field simply forgets at the same rate it draws, and the balance between those two speeds is the whole aesthetic.

The panels are not layered on top for legibility alone. Their rectangles are fed back into the simulation as repulsors, so strokes bank away from the words before they ever reach them. Type never fights the texture; the texture gets out of the way.

03 — Live parameters

Turn the weather

Four numbers govern everything visible on this page. Move them and the field responds on the next frame — no reload, no reseed unless you ask for one.

03b — Stroke anatomy

What one line knows

04 — Plot ledger

Every plot we kept this season

Archived from the studio plotter, October–February.
PlotSeedFieldStrokesPen hours
Coastal Register0x4A1Fcurl / warm21,4006.2
Nine Quiet Bands0x0C77simplex8,9202.8
Sediment Study II0xBE30curl / cold44,01011.9
Margin Weather0x1D5Eworley15,7604.4
Cut-out No. 70x9AA2curl / mixed33,1809.1

05 — Hands on deck

Three people, one plotter

Mira Solvang

Field author

Writes the noise functions and argues that every parameter should have a weather word for a name.

Tobias Renn

Pen & paper

Keeps the AxiDraw calibrated and refuses any plot that takes longer than a working day.

Ana Petrova

Editor

Decides where the cut-outs land, which is the same as deciding what the field is allowed to say.