Oldstock Press · Sheet No. 298 · Cotton rag 640gsm

Letterpress

A working specimen from a two-person shop in Bradbury Yard, where a 1911 Heidelberg still bites paper hard enough to read with your thumbs.

Est. 1974Handset & polymerDeckle on four edges

Order a proof See the bite

01

Impression specimens

Every line below was pulled on the same stock at a different packing height. Click any specimen to hear the press kiss it again.

0.9 ptKiss impression
Caslon 540, 72 pt

Hollow

Ink sits on the surface. The sheet stays flat, the counters stay open, and the whole line reads as a whisper across the room.

2.4 ptDeep bite
Bembo, 96 pt

Bite

Two extra sheets of packing and the type drives a shadowed trench into the rag. Held at a raking light the serifs throw their own dusk.

3.1 ptBlind emboss
Gill Sans, 84 pt

Blind

No ink at all. The word exists only as topography — visible when the sheet is turned, invisible when it is scanned.

1.7 ptSecond colour
Trade Gothic, 60 pt

Salvage

Registered by eye on a second pass. The half-millimetre of drift is not a fault; it is the reason anyone commissions the job.

Handset Cotton rag Rubber-based ink Deckle trimmed

02

Ink & stock ledger

Autumn run — recorded by the pressman after each make-ready
StockWeightInkImpressionCoverage
Bradbury Rag640 gsmAsh Black2.4 pt82%
Yard Cream450 gsmIron Blue1.6 pt54%
Mill Ends300 gsmKiln Red1.1 pt37%
Duplex Grey820 gsmNone (blind)3.1 pt9%
Flax Handmade560 gsmAsh Black2.0 pt66%
Press
Heidelberg Windmill, 1911
Max sheet
380 × 260 mm
Turnaround
Nine working days
Minimum
50 sheets, one colour
03

Make-ready

  1. Lock the forme

    Type, furniture and quoins are squared in the chase until a lifted forme holds its own weight without a single loose slug.

  2. Pack the platen

    Tissue is added a leaf at a time. One sheet of onionskin is roughly a quarter point of extra bite — the difference between a whisper and a trench.

  3. Ink up

    Rubber-based ink is worked on the disc for four minutes. Too thin and the counters fill; too thick and the deckle picks up a halo.

  4. Pull a proof

    The first six sheets are waste. We read them against the window, marking any letter standing shy of its neighbours.

  5. Tear the deckle

    Edges are torn against a bevelled steel rule, wet, by hand. No two sheets in a run share a silhouette.

04

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