A Gallery Of The Dearly Departed

THE HAUNTING

Twelve sitters posed for their likeness. Only some of them stayed inside the frame. Bring your cursor close and watch who leaves.

Oil & silver, restored Lit by gas, never electricity Do not touch the glass
Approach Slowly
II

Provenance

How the collection came to be, and why it is never lent.

The Marrowmere estate commissioned these likenesses across three long winters, one sitter at a time, always by candle and always in the same north-facing room.

The painter, a Mr. Alcott whose first name no record keeps, insisted the drapes stay drawn and the gas turned low. He claimed the light of day flattered the living and forgot the rest. Nine canvases survive intact. The tenth is a scorch mark. We do not speak of the eleventh.

Since 1871 the wall has hung undisturbed. Restorers who came to clean the varnish reported the same complaint: that the sitters seemed to move when observed from the corner of the eye, and to hold perfectly still the moment one turned to look.

III

The Sitters' Ledger

Names as they were entered in the estate book, and their standing as of the last inventory.

IV

Visiting The Wall

The estate opens its doors on the terms below. They are not negotiable.

Hours of Admission

When the House Wakes

  • Monday — ThursdayDusk until the last candle
  • FridaySundown · by lantern only
  • SaturdayThe full night through
  • SundayThe wall rests. So should you.
  • All Hallows' EveThey decide who enters

House Rules

Conduct in the Gallery

"Look long, and they look back. Look kindly, and most of them will let you leave."

Do not photograph the sixth frame. It develops more than it should.
Should a caption whisper your own name, exit by the stair you came in. Not the far door.

Ask, and the Wall Will Answer

Knock three times upon the frame and the sitters confer. Their reply, letter by letter, in the old gallery tongue.